The Data Battlefield curated by Jean Wainwright

Fotomuseum Antwerp, Belgium
27 April 2017 – 4 June 2017

Images of conflict have become a common phenomenon, due to 24-hour repetitive news broadcasts and social media. As an answer to society’s increasing desire to capture and disseminate images of conflict, sites of dispute are no longer censored in any form but rather made into media spectacles. How, then, can we describe traumatic events or classified sites without veering into sensationalism?

The Data Battlefield shows how four international lens-based artists relate to this question. Through some of the latest technology, DAVID BIRKIN (UK, 1977), HARUN FAROCKI (DE, 1944-2014), FORENSIC ARCHITECTURE and STEFFI KLENZ (DE, 1979) each open up unique conversations about our current photographic and filmic culture in relation to environments of conflict.

braakland-fomu.be/thedatabattlefield

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BEG STEAL AND BORROW opens at Bermondsey Project Space, Curated by Jean Wainwright

BEG STEAL AND BORROW opens at Bermondsey Project Space, Curated by Jean Wainwright

Bermondsey Project Space

Bermondsey Street,
London SE1 3UW

Private View: Tuesday 25 February, 6-9pm
Exhibition opening: 26 February – 7 March 2020

Philip Colbert
Haley Morris-Cafiero
Yinka Shonibare CBE
Ori Gersht
Melinda Gibson
Stuart Hilton
Birgitta Hosea
Steffi Klenz
Simon Patterson
Andreas Schmidt
John Stezaker
Gavin Turk
Jessica Voorsanger

Curated by Jean Wainwright 

Beg, Steal, Borrow Exhibition Catalogue

Recycling, borrowing, stealing, shamelessly ripping off… artists scavenge. They remix. They find new pathways, links and meanings. They plunder from past or present to create debate. In ‘steal this essay’ Heidi Zuckerman Jacobson poses the question: ‘What imagery is so pervasive that claims of ownership seem facile? And are artists in their ability and need to comment on contemporary culture, thereby somehow entitled to universal usage?’ Art is timeless, but art is also provisional, one iteration of an idea giving way to another: Raphael and Diego Velázquez to Édouard Manet, Andy Warhol to Sturtevant, Walker Evans to Sherrie Levine, in our digital age, these iterations are becoming far speedier. This is putting the laws that relate to copyright under huge pressure. While these laws protect the rights of an artwork’s creator for seventy years, online work can be copied, parodied and memed a thousand times in our age of digital acceleration. We are exposed to so many often fleeting, visual influences. For many artists appropriation is about addition or reinterpretation, so that the new creation is unique, yet contains within it copies or traces of the original.

The artists in Beg, Steal and Borrow, scavenge, remix, recreate, find new pathways, links and meanings. They are using what is already there to fashion new work and create pressing debates. Interconnected in their dynamic engagement their work is multilayered, yet bearing a trace or reference to the other art works or contemporary issues, from art history to archival material, colonial history to online bullying. There are collages and sculptures, large canvases, photographs, appropriated collections and videos. Each work is unique yet bears pertinent traces to its artistic coded pathway.

project-space.london/beg-steal-and-borrow 

Jean Wainwright interviews Philip Colbert in new book

Jean Wainwright interviews Philip Colbert in new book

Read interview here

Copyright Jean Wainwright not to be reproduced without permission.

The interview with Professor Jean Wainwright and Philip Colbert, Superpopulistic: The Art of Philip Colbert, has been published by Multimedia Art Museum, Moscow, in the new book Philip Colbert: Lobster Land.

The interview can be found on pages 116 – 127.